Weekend Preview – arc eye

This week’s picks for what to see this weekend. As always, make sure to check more listings here and here.

Mike Andrews @ GOLDEN

Fiber artist Mike Andrews splits his look this month between an exhibition of new tapestry work at Lakeview gallery GOLDEN’s main space and a massive sculpture at their nearby auxiliary space. See them both starting tonight, Thursday, December 16th from 6-10PM @ GOLDEN, 816 W Newport Ave, and from 8-9PM @ Golden Gallery’s Auxiliary space, 319 N Broadway St.

Mike Andrews, DJ Dubu

Mike Andrews, DJ Dubu

Ah, Wilderness! & Austin Eddy @ ebersmoore

Early this year, ebersmoore’s titular galleriests Dominic Paul Moore and Sara Ebers began distributing a modified blank book to artists in Chicago and around the country. By the end of its journey, over 51 different artists had taken part in the project, each adding to and illustrating the book, pasting in and modifying pages, and so creating a kind of 2010 studio time capsule. To celebrate the book’s unveiling, the gallery also invited all participating artists to contribute works to a salon-style über-exhibition. The artists are too many to list here, but as I’m one of them and it’s likely that you are too, I’ll just see you at the opening this Friday, December 17th, from 6-9PM @ ebersmoore, 213 N Morgan St, 3C.

Also on view, new works from Austin Eddy.

Ah, Wilderness! @ ebersmoore

Ah, Wilderness! @ ebersmoore

Pastoral Disruption @ Lloyd Dobler Gallery

This show at Lloyd Dobler Gallery features three painters: Michelle Bolinger, whose work I dug at Dig a few months ago; Aliza Morell, whose last show at ACRE Projects show was slightly too Sunday for me to catch; and Eric Ramos Guerrero, a Chicago -> Brooklyn painter returning for his second group show with this gallery. See it Friday, December 17th from 6-10PM @ LLoyd Dobler Gallery, 1545 W Division St, 2nd Floor.

Eric Ramos Guerrero, Slide Sliding

Eric Ramos Guerrero, Slide Sliding

Academy Records / Holiday Fundraiser @ threewalls

This year’s annual threewalls benefit is a 1940’s-themed party-party hosted by Academy Records, who will in turn be hosting a variety show featuring Mrs. Hound; Weeping Eye, Laughing Eye; Turnip Pickle, featuring: Fred Lonberg-Holm, Elba Mini-Pro, Captain One and Gordon Comstock; Mark Jeffrey and Judd Morrisey; Dan “Son of Bing” Gleason, DJ Mr. Wiggles, and more. This is technically art related, so bring a date this Saturday, December 18th from 7PM-12AM @ threewalls, 119 N Peoria St, 2C.

Academy Records

Academy Records

HELP WANTED @ The Exhibition Agency

The Logan Square apartment gallery known as The Exhibition Agency (and formerly known as Concertina Gallery) is closing soon, and curator Corrina Kirsch has put together a final show modeled around cork-board help-wanted postings. Visitors are free to leave requests, or work with curators to be paired up with existing requests for artist, educational, and curatorial collaboration. Check out the opening this Saturday, December 18th from 1-5PM @ The Exhibition Agency, 2351 N Milwaukee Ave, 2.

Help Wanted @ The Exhibition Agency

Help Wanted @ The Exhibition Agency

consider re-arranging your bedroom furniture

Seven Artists of the Week – red women, green men

This week’s picks from me:

Nicola Tyson, Portrait Head #2

Nicola Tyson, Portrait Head #2

Bill Guy, Behind Dominick's Grocery Store, from the Preserved series

Bill Guy, Behind Dominick's Grocery Store, from the Preserved series

Sue Williams, Two Parties

Sue Williams, Two Parties

Tom Hunter, Anchor and Hope

Tom Hunter, Anchor and Hope

Tess Jaray, Bright Pink Arch

Tess Jaray, Bright Pink Arch

Rolf Wicker, Operation Morin

Rolf Wicker, Operation Morin

Rosanna Bruno, Temporary Darkness

Rosanna Bruno, Temporary Darkness

You call this a thesis?

Weekend Preview – way behind

Crunch time version of this week’s what to see this weekend! For more, check out this link and this one too.

Infoporn @ Co-Prosperity Sphere

It has been a minute since I’ve highlit something down at CPS, but that doesn’t mean I haven’t been failing to report on a lot of good stuff, such as their recent Level Eater collabition with Pentagon Gallery. This weekend their hosting the Infoporn Exhibition, part of Select Media Festival 9, showing infographics and data visualizations from a bunch of great designers including The Present Group, Cody Hudson, Plural’s Jeremiah Chiu, and many more. See it Friday, December 10th from 7PM-12:30AM @ Co-Prosperity Sphere, 3219 S Morgan St.

Theodore Darst, Steal My Sunshine

Theodore Darst, Steal My Sunshine

Jesse Butcher @ Swimming Pool Project Space

Jesse Butcher has done a few pretty cool installations in Chicago, such as the collaboration with Corkey Sinks at Concertina last March titled Surrender Dorothy. This time around, he’s looking at good and evil with text and symbol in a show titled Wet Affairs, which you can check out this Saturday, December 11th from 6-9PM @  Swimming Pool Project Space, 2858 W Montrose.

Jesse Butcher, Wet Affairs

Jesse Butcher, Wet Affairs

Material Syntax @ Robert Bills Contemporary

Painters Veronica Bruce and Dan Giordan come together with photographer Joe Baldwin in this three-part look at surface and material work. There might even be some Tim Bergstroms hiding in back for counter-point. See Material Syntax this Saturday, December 11th from 5-8PM @ Robert Bills Contemporary, 222 N Desplaines St.

Veronica Bruce,  Orange Stairs

Veronica Bruce, Orange Stairs

it is unpatriotic to drink alone before 9:11pm

Seven Artists of the Week – Fatigue

This week’s picks from me. Click images for more from each artist.

Andy Burkholder

Andy Burkholder

Allison Diaz, Step 2 of 5

Allison Diaz, Step 2 of 5

Joe Beuckman, Pole Vault Pt. 3

Joe Beuckman, Pole Vault Pt. 3

Nina Pohl, Untitled (Vesuv)

Nina Pohl, Untitled (Vesuv)

Steven Husby, Untitled

Steven Husby, Untitled

Lisa Sanditz, Tang Factory I

Lisa Sanditz, Tang Factory I

Brian Ulrich, Target

Brian Ulrich, Target

frankly if you’re still making art with crucifixes,

Weekend Preview – black days

This week’s things to try and see this weekend. The standouts all happen to fall on this Saturday, but make sure to check out these two links for all kinds of more listings.

Jessica Labbatte, UBS 12×12 @ MCA

Jessica Labbatte‘s still life photographs are just excellent, and its no surprise to see the MCA’s UBS curators agree. Check out the  exhibition (and congratulate the program on its 100th artist shown) starting this Saturday, December 4th, @ the Museum of Contemporary Art, 220 E Chicago Ave.

Jessica Labatte, Untitled (Poster)

Jessica Labatte, Untitled (Poster)

Jason Benson and Joel Dean @ Monument2

With a title sourced from William Carlos Williams’ Asphodel, That Greeny Flower, Jason Benson and Joel Dean‘s But the sea which no one tends is also a garden is no doubt a critique on the intimacy of aging, and of the sublime beauty found in abstract chaos of time and nature. Or just new work from the artists – it’s hard to tell. Find out if I was right this Saturday, December 4th, from 6-9PM @ Monument2, 2007 N Point St.

Joel Dean, Untitled

Joel Dean, Untitled

Isolated Fictions @ Green Lantern Gallery

The team at the Green Lantern Gallery has put together another exhibition around a fascinating subject, this time following the industrious war on misery waged by Captain William Parry and crew during the ice-locked arctic winter of 1821. Artists include Deb SokolowCarmen Price, Jason Dunda, Amanda BrowderNadine NakanishiRebecca Mir and Nick Butcher. Perfect timing, too, this Saturday, December 4th, from 7-10PMGreen Lantern Gallery2542 W Chicago Ave.

Rebecca Mir, kissing/st. ann's (from A Long Distance Relationship with the Ocean)

Rebecca Mir, kissing/st. ann's (from A Long Distance Relationship with the Ocean)

sympathetically shrinking

Seven Artists of the Week – a safe house

This week’s picks from me.

Ted Gahl

Ted Gahl

Jon Rafman, Nine Eyes of Google

Jon Rafman, Nine Eyes of Google

Timothy Horjus, So, need you letter

Timothy Horjus, So, need you letter

Chun Seong, Inconsequential Terrain

Chun Seong, Inconsequential Terrain

Steve Reinke, The Chocolate Factory (exerpt)

Steve Reinke, The Chocolate Factory (excerpt)

Sangho Choi, Teenager With Oily Face

Sangho Choi, Teenager With Oily Face

Tony Berlant, Center Cut

Tony Berlant, Center Cut

breaking images out of embedded flash since 1986

Seven Artists of the Week – the news

This week’s picks from me. Happy thanksgiving!

Ned Vena

Ned Vena

John Stezaker, Mask VII

John Stezaker, Mask VII

Vlatka Horvat, Cutouts

Vlatka Horvat, Cutouts

Andy Warhol, Knives

Andy Warhol, Knives

Llynn Foulkes

Llynn Foulkes

Frank Auerbach, Head of a Girl

Frank Auerbach, Head of a Girl

James Turrell

James Turrell

shock us and we’ll  rock

Weekend Preview – about sixty years ago

This week’s picks on what to see this weekend. Be sure to check out other listings here and here, because there are a lot of really nice openings and shows going up this weekend and for some reason I’m not listing all of them.

Deb Sokolow @ Western Exhibitions

Deb Sokolow, one of my favorite artists and one of Chicago’s best, debuts her latest show this weekend at Western Exhibitions, this time composed of many small vignettes rather than her signature single large-scale narratives. Also on display is the final chapter of Ryan Travis Christian’s Power of Selection; Ryan’s chosen to go out with a confetti bang and hang dozens of artworks from all around the country. Check both out this Friday, November 19th from 5-8PM @ Western Exhibitions, 119 N Peoria St, 2A.

Deb Sokolow, You tell people you're working really hard on things these days (detail)

Deb Sokolow, You tell people you're working really hard on things these days (detail)

Ken Fandell @ Tony Wight Gallery

Tony Wight Gallery is back to its regular look, trading the blacks and grey of Karl Haendel for Ken Fandell‘s colorful romantic conceptualism, achieved by Fandell’s digital photography effects and collages. See the opening this Friday, November 19th from 5-8PM @ Tony Wight Gallery, 845 W Washington Blvd.

Ken Fandell, Tail

Ken Fandell, Tail

Drawing @ Shane Campbell Gallery

New drawings from an excellent looking group of artists, including Michelle Grabner, Joanne Greenbaum, Suzanne McClelland, William J. O’Brien, Alex Olson, Jon Pestoni, Amanda Ross-Ho, Lisa Williamson and Jonas Wood. See it all this Saturday, November 20th from 6-8PM @ Shane Campbell Gallery, 673 N Milwaukee Ave.

Alex Olson, Open Letter

Alex Olson, Open Letter

60 x 60 @ threewalls

After debuting it first in New York, artists Christopher Preissing and Kotoka Suzuki bring their installation 60 x 60, composed of sixty one-minute sound pieces, to Chicago’s threewalls space. See and hear on Saturday, November 20th from 7-9PM @ threewalls, 119 N Peoria St, 2C.

Auris

Auris

student loans

Seven Artists of the Week – the speed of time

This week’s artists of the week from me.

Katja Strunz

Katja Strunz

Jennifer Steinkamp, Sexist Slides, Legman

Jennifer Steinkamp, Sexist Slides, Legman

Dan Peterman, Ground Cover

Dan Peterman, Ground Cover

Guy de Cointet, Nevertheless I did Venture

Guy de Cointet, Nevertheless I did Venture

Philip Matesic, THEORY TUESDAYS

Philip Matesic, THEORY TUESDAYS

Hilary Harnischfeger, Patternist 3

Hilary Harnischfeger, Patternist 3

Mark Kostabi

Mark Kostabi

http://javaboutique.internet.com/Lake/

Weekend Preview – there is no i in illiteracy

This week’s picks on what to see this weekend. Once again and as always, there are more things going on that listed here, so check out broader listings here and here.

Ray Yoshida @ Sullivan Galleries

A good case could be made that Ray Yoshida was Chicago’s most important artist, having effected the practice of almost every artist who knew him.  This retrospective catalogs that impact, exhibiting not only the work of the artist, but also the artists who influenced him, and a much larger sampling of artists were influenced by him. See the opening this Friday, November 12th from 6-8PM @ SAIC’s Sullivan Galleries, 33 S State St, 7.

Ray Yoshida, Comic Book Specimen - #2 - Right Profile

Ray Yoshida, Comic Book Specimen - #2 - Right Profile

YOU ARE LOOKING AT ART ABOUT LOOKING AT ART @ Noble & Superior Projects

Artists Joseph GrigelyEric FleischauerJason Lazarus, and an anonymous fourth put together this show, featuring work and writing based on the contexts and relationships of art-making and viewing, such as Grigely’s exhibition ephemera or Lazarus’ comparisons of academic art criticism and far more interesting, timely, and in all respects superior amateur art criticism. Pippen to Jordan, this Friday, November 12th from 6-10PM @ Noble & Superior Projects, 1418 W Superior St, 2R.

Joseph Grigely, We’re Bantering Drunkening About What’s Important in Life (detail)

Joseph Grigely, We’re Bantering Drunkening About What’s Important in Life (detail)

More Betterer @ Heaven Gallery

New sculpturly painting, painterly sculpture, and latticed artwork from artists Jacob GoudreaultEaston MillerMatt NicholsMax Reinhardt and Simon Slater, opening this Friday, November 12th from 7-11PM @ Heaven Gallery,1550 N Milwaukee Ave, 2nd Floor.

Simon Slater, Dude Descending a Nut Case

Simon Slater, Dude Descending a Nut Case

Jerome Acks @ 65Grand

Speaking of sculpturly painting, Jerome Acks‘ new exhibition at 65Grand promises work incorporating root elements of painting and pretty great looking three-dimensional gestures. Grab some earplugs and check out the show, titled Big Sky, this Friday, November 12th from 7-10PM @ 65GRAND, 1369 W Grand Ave.

Jerome Acks, Spsss Spsss Spsss (detail)

Jerome Acks, Spsss Spsss Spsss (detail)

Ethan Brekenridge & Sean Dack @ The Suburban

This is the third post in a row that namedrops Ethan Brekenridge; if you liked his work in this week’s Artists of the Week, or saw his presentation this week at Erik’s Wenzel’s Live a Little, Live Ennui, you’ve got yet a third chance to see his work in this exhibition at The Suburban with New York artist Sean Dack. Stop by this Sunday, November 13th from 2-4PM @ The Suburban, 125 N Harvey Ave, in Oak Park.

Sean Dack, Building (Hotel, Pyongyang)

Sean Dack, Building (Hotel, Pyongyang)

Life ends when u stop dreaming, hope ends when u stop believing & love ends when u stop caring. So dream hope & love…Makes Life Beautiful~~

Seven Artists of the Week – with your ghost,

This week’s picks from guest week-picker Erik Wenzel. Check out the closing events for his show, Live A Little, Live Ennui, this week at the Harold Washington College President’s Gallery, 30 E Lake St, Room 1105, with Marilyn Volkman‘s presentation tonight, Wednesday, November 10th at 5:30PM, and Ethan Breckenridge‘s presentation tomorrow, Thursday, November 11th at 6:30PM.

Carey Young, Body Techniques (after Sculpture II, Kirsten Justesen, 1969)

Carey Young, Body Techniques (after Sculpture II, Kirsten Justesen, 1969)

Ethan Breckenridge, Filling the Cup My Hands Have Made

Ethan Breckenridge, Filling the Cup My Hands Have Made

Diego Leclery

Diego Leclery

Marilyn Volkman, Studio Sketch Abstraction #2

Marilyn Volkman, Studio Sketch Abstraction #2

Taciata Dean, The Garden

Taciata Dean, The Garden

Roman Andak

Roman Andak

Vincent Vulsma

Vincent Vulsma

the wrong image

Weekend Preview – HB

This week’s picks on what to see this weekend. I almost always run into more shows than I can feature here, but this weekend seems especially loaded with great-sounding shows, so be sure to check out other listings here and here.

Things to be Next To @ threewalls

Kate Hackman and Shannon Stratton are bringing their Kansas City/Chicago exhibition Things to be Next To accordingly across state lines, having exhibited first at KC’s La Esquina Gallery. On the Chicago side of the roster are Pete Fagundo and Alberto Aguilar (who also throws a good dinner party), and representing Kansas City, Warren Rosser and Jim Woodfill. Check out the opening on Friday, November 5th from 6-9 @ threewalls, 119 N Peoria St.

Warren Rosser, Simultaneous Tracking

Warren Rosser, Simultaneous Tracking

Michael T. Rea @ ebersmoore

Michael T. Rea‘s weapons of mass destruction will be on view this month at ebersmoore, breaking through walls and threatening nearby buildings. You can read my interview with the artist here, and also check out the show this Friday, November 5th from 6-9PM @ ebersmoore, 213 N Morgan St, 3C, Chicago.

Michael T. Rea, Behemoth

Michael T. Rea, Behemoth

Jennifer Reeder @ Andrew Rafacz Gallery

Film-maker Jennifer Reeder opens a new exhibition this weekend titled Tears Cannot Restore Here: Therefore I Weep after her film of the same name, which will be on view along with sculptural props from earlier and future projects. See it this Saturday, November 6th from 4-7PM @ Andrew Rafacz Gallery, 835 W Washington Blvd.

Jennifer Reeder, White Trash Girl

Jennifer Reeder, White Trash Girl

Jacob C. Hammes @ HungryMan Gallery

Artist and occasional hypnotist Jacob C. Hammes has built a heavy site-specific installation at HungryMan Gallery titled Metatron’s Roof, a reference not to a glorious transformer but to the sacred geometric symbol, Metatron’s Cube. If Hammes has stuck true to materials, watch your step at the opening, which is on Saturday, November 6th from 6-11PM @ HungryMan Gallery, 2135 N Rockwell St.

Jacob C. Hammes, Metatron's Roof

Jacob C. Hammes, Metatron's Roof

Brandon Alvendia @ ADDS DONNA

From the press release, it sounds like Brandon Alvendia is casting a big net with his curatorial look at the economic ethics of art collection, which splits the ADDS DONNA space into themed partitions of art display. Artists included Conrad Bakker, Pamela Fraser, Michelle Grabner, Joe Grimm, Lucy Mackenzie, David Shrigley, and an anonymous seventh. Figure it all out this Sunday, November 7th from 3-7PM @ ADDS DONNA, 4223 W Lake St, 422.

David Shrigley

David Shrigley

no more for good

Seven Artists of the Week – from the collection

This week’s picks from me.

Frédéric Bazille, Landscape at Chailly

Frédéric Bazille, Landscape at Chailly

James McNeill Whistler, Violet and Silver - The Deep Sea

James McNeill Whistler, Violet and Silver - The Deep Sea

Heinrich Reinhold, Italian Landscape

Heinrich Reinhold, Italian Landscape

Gustave Courbet, The Rock of Hautepierre

Gustave Courbet, The Rock of Hautepierre

Édouard Manet, Steamboat Leaving Boulogne

Édouard Manet, Steamboat Leaving Boulogne

Frederic Edwin Church, View of Cotopaxi

Frederic Edwin Church, View of Cotopaxi

William Merritt Chase, Wind-Swept Sands

William Merritt Chase, Wind-Swept Sands

snake election

Interview – Michael T. Rea

It’s always nice to see successful art that is also instantly approachable, and Chicago sculptor Michael T. Rea makes the kind of art. If you’ve been to the last two NEXT fairs at the Merchandise Mart, you’ve probably seen some of his work; and if not, then certainly at Western Exhibition’s The Power of Selection, part 1. Rea’s big wooden sculptures, built from memory and reflecting a kit-basher’s eye for detail and bong emplacements, are sort of hard to miss. I caught up with the artist this week to trade some words, all of which you can read below. The bold and slanty ones are mine.

Michael T. Rea

Michael T. Rea

Can you tell me about yourself and your history in Chicago?

I was born and Raised in the South Suburbs of Chicago, Burbank, and Tinley Park. I Attended Northern Illinois University for Undergrad, and after graduation I moved to Buck Town. After about four years I Moved to Madison, WI to attend graduate school. Before moving to to Madison I had my first Chicago art show Unit B Gallery in Pilsen. During my stay in Madison I continued to show in Chicago at galleries like Butcher Shop /Dogmatic and the Co-Prosperity Sphere, and after grad school I spent a year in Milwaukee where I worked at MIAD before returning to Chicago. I have been back for a little over two years and currently reside in lovely Humboldt Park, and my studio is in West Garfield Park.

Michael T. Rea

Michael T. Rea

Michael T. Rea

Michael T. Rea

I heard you started off in painting. How’d you get from that to working with sculpture and wood?

I did start working as painter – well,  as art educator. I received an Art Education degree from NIU, which was nice since the curriculum forces you to take classes in all disciplines. I focused on painting, but defiantly dabbled in sculpture. While in undergraduate Matt Irie and I formed a performance group called the Ohio Gang. After graduation I faced  the dilemma of trying to build stretchers with out a real space and or equipment. I remember Paul Erschen letting me into his space to build my last large painting.

Somewhere in this struggle to build a support structure, I lost interest in building two dimensional images and began to obsess about what was behind a painting. So in a way I simply turned the canvas around and rebuilt my practice from there.  I took what I had learned from the Ohio Gang and stretcher construction and started to build the rock performance I Yell Because I Care, which was a mixture of wood constructions and a performance piece. After that I decided to just keep going. As of late I have been painting a little to see how that informs the objects I build.

Michael T. Rea, Wood Load In

Michael T. Rea, Wood Load In

Michael T. Rea, Lysistrata

Michael T. Rea, Lysistrata

A lot of your work seems to have been inspired by a certain genre of American film-making, the big over the top blockbuster adventures, like Star Wars, Ghostbusters, or Indiana Jones. What’s your relationship with that content, or how are you using it?

A lot of my work does revolve around American film, 1975 to the present in particular. I think this began with watching a lot of movies as a child, which carried over into my adult life. When I would see a film as a child you were never sure if you were ever going to see it again. The first movie I saw on cable was Alien, and the first film my family ever rented was Trading Places, and we would spend dinner discussing the films we watched. My parents were rather liberal about what my brother and I got to see as children. As we got older I began to discover how the stories depicted were based on novels, biblical stories and parables, and remakes of films from when my parents were children. It was sort of a quest to see where an idea originated and evolved in each adaptation.

In my work today I enjoy the way I can use an index of films as a way to build footnotes into my work, using multi-dimensional characters, plots, and histories that live outside of the work, and which the audience must bring with them to understand it. I have been a big fan of Quentin Tarantino for years and really respect how he can build a film which can be read at so many levels. The artwork I make attempts to offer both fast and slow reads.

Michael T. Rea

Michael T. Rea

What kind of pieces are you putting up for your show this weekend at ebersmoore?

For the show at ebersmoore, I’ll be installing a few new sculptures and drawings. The largest piece is a large Howitzer-style gun titled Benita, which will start in the main gallery and penetrate through the living quarters at the gallery. In the second space I’ll have two medium sized sculptures and drawings.

If you’d like to see more of Michael T. Rea, check out his show New Work opening this Friday, November 5th from 6:00-9:00 PM @ ebersmoore, 213 N Morgan St, 3C.

Karl Haendel @ Tony Wight Gallery

Karl Haendel has a CV peppered with prestige – he has shown in excellent spaces and biennials, won excellent awards, and has work in the public collections of MoMA, MoCA, and Guggenheim to name a few. If the bounce toward of tight graphite appropriation and reproduction in high art wanted a figurehead, Haendel would make a good one. However, as his current exhibition My Invisible Friend at Tony Wight demonstrates, Haendel appears to have serious reservations about whether that kind of work is really all that interesting on its own.

Karl Haendel, Tom & Jerry #5

Karl Haendel, Tom & Jerry #5

Haendel’s installation of his work is curiously extensive. The white cube of Tony Wight Gallery is now a middle-dark grey, but why a grey cube is more appropriate isn’t clear. Short museum walls are built in, blocking sight lines and forcing proximity to the work, but these gestures of audience manipulation seem arbitrary. Coca-cola cans, tools, paint cans, and extra bits of installation junk are arranged in neat false refuse piles which declare the show’s man-made construction but degrade the works on the walls, which are hung awkwardly in dim clusters and corners. As audacious as it is, it isn’t unusual for the artist, who has hung plenty of shows that make My Invisible Friend look conservative.

Karl Haendel @ Tony Wight Gallery

Karl Haendel @ Tony Wight Gallery

Karl Haendel, Abstract Chicago #2

Karl Haendel, Abstract Chicago #2

But why do it this way? The gestures Haendel has made with his installation push the show in two opposite directions. In one direction, the artist is bringing down the artwork and up the space to some middle-ground where they can be considered equally, subverting the usual hierarchy of the gallery. In another, the over-production of the installation references and mirrors the intense over-production of the work itself, making the gallery space a kind of over-miked back-up band for the artworks. Caught between these two forces, it isn’t clear whether Haendel wants viewers to see or care about his drawings.

Karl Haendel @ Tony Wight Gallery

Karl Haendel @ Tony Wight Gallery

There is a problematic collision between an over-produced install which minimizes the importance of art objects and an exhibition which is actually and mostly about showing art objects. If these works are meant to be looked at, cared about, and purchased, then the installation comes off as a matter of making up for something lacking in the work. None of the artwork in My Invisible Friend is too far out, and such a far out install suggests Haendel’s opinion is that given a straight-on hanging, the work wouldn’t be as interesting as he wants it to be.

Karl Haendel @ Tony Wight Gallery

Karl Haendel @ Tony Wight Gallery

Karl Haendel, Break-up #11

Karl Haendel, Break-up #11

As for the work itself, while I wouldn’t call any of it audacious, Haendel has made some good stuff. The show is made up of graphite on paper reproductions of Tom & Jerry comic strip panels, video and drawings of a partial suit of armor from various angles, enamel paintings of broken glass, a number of (great looking) graphite, enamel, and charcoal folded abstractions also resembling broken glass, and a text-piece sampling Hans Abbling‘s power-point slide titled Are low incomes problematic? from his lecture, Why are artists poor?. In a regular setting, My Invisible Friend would read as a not-too-thrilling look at labor-intensive artistic production as a response to various other forms of productive activity. Here, however, that content is complemented to obscurity by the over-production of the exhibition’s installation.

I give it a:

7.0

Karl Haendel‘s My Invisible Friend runs October 15th through November 13th, 2010 at Tony Wight Gallery, 845 W Washington Blvd.

Weekend Preview – Alyson Kennedy

This week’s look at some of what is going on this weekend. Check out links here and here for more listings.

Hamish Fulton @ Rhona Hoffman

Hamish Fulton mostly works with large-scale text and poetry wall-installations, but it takes some walking to get there. See the full range of media in his exhibition this fall at Rhona Hoffman, opening Friday, October 29th, from 5-7:30PM @ Rhona Hoffman Gallery, 118 N Peoria St.

Hamish Fulton

Hamish Fulton

Now It’s Dark #2 @ Green Lantern Gallery

This week we learned that the Green Lantern Gallery is going away again, and not too long after it came back again, but thankfully there are plenty of shows still in the hopper. Now It’s Dark #2 is the second in the The Now It’s Dark Experimental Film and Music Series, curated by Marc Riordan of the trip-hop dub-step crossover collective Wishgift. This set includes music by Matthew O’Shaughnessy, Ross Meckfessel, Lyra Hill, Bethany Schmidt, Randy Sterling Hunter, Francisco Cordero-Oceguera, and performances by Daniel Fandino, Frank Van Duerm and Jacob Kart. Hear all matter of bleeps and bloops this Friday, October 29th at from 7-9PM @ Green Lantern Gallery, 2542 W Chicago Ave.

Daniel Fandino, historically innocent and sexually indifferent

Daniel Fandino, historically innocent and sexually indifferent

Ben Driggs @ ACRE

Science and psychedelic under the lens of Chicago artist and ACRE resident Ben Driggs. You can see his video, The Enigma of Time on Sunday, October 31st from 4-8PM @ ACRE Projects, 1913 W 17th St.

Ben Driggs

Ben Driggs

black and white for halloween

Seven Artists of the Week – hair blowing out of my head

This week’s picks from me.

Noemie Goudal, Les Amants (Untitled), 2010

Noemie Goudal, Les Amants (Untitled), 2010

TheJogging, BLUE MILK

TheJogging, BLUE MILK

Terry Haggerty, Facade

Terry Haggerty, Facade

Derek Riggs, The Trooper

Derek Riggs, The Trooper

Goshka Macuga

Goshka Macuga

Jason Dodge, Above the Weather

Jason Dodge, Above the Weather

Bryan Osburn, Untitled (Landscape)

Bryan Osburn, Untitled (Landscape)

I’m not showering until I get her back

Weekend Preview – power grab

This week’s picks on what to see this weekend, as always supplemented by these two links.

Christopher Wool @ Corbett vs. Dempsey

Christopher Wool is probably the biggest name to visit Chicago since last month’s openings at Rhona Hoffman and Kavi Gupta, and he’s leaping from your contemporary art history books to Noble Square with a collection of recent and not so recent works in classic black and white. Opening is today, Thursday, October 21st from 5-9PM @ Corbett vs. Dempsey, 1120 N Ashland Ave.

Christopher Wool

Christopher Wool

Peter Power @ Gahlberg Gallery 

Peter Power‘s pairings of abstract prefab sculpture and plexiglass printmaking are so good, you’ll wonder why you’ve never seen much of them before in Chicago. Come out to the suburbs some time to see it all- or better yet, attend the reception today, October 21st, from 6-8PM @ Gahlberg Gallery, 425 Fawell Blvd.

Peter Power

Peter Power

Britton Tolliver @ GOLDEN 

Britton Tolliver is an LA painter with more wins in his portfolio than Harry Markowit. Come see his new work this Friday, October 22nd from 6-9PMGOLDEN, 816 W Newport Ave.

Britton Tolliver, Dream Leviathan

Britton Tolliver, Dream Leviathan

Curtis Mann @ Kavi Gupta 

Selective exposure and other fucked up uses of photography go far in the hands of Mann – or Mann’s hands, if you like. Cool stuff, definitely a show to see, which you can do this Friday, October 22nd, from 5-8PM @ Kavi Gupta Gallery, 835 W Washington Blvd.

Curtis Mann, Untitled

Curtis Mann, Untitled

Huh, looks like I’ve decided to ignore all the interesting alt-space shows this week. If nothing else, try to go nerd out at Co-Prosperity Sphere’s Level Eater this weekend – that looks awesome.

Seven Artists of the Week – here, have more Calder than you can look at

This week’s picks from me:

Jason Dunda

Jason Dunda

Kelly Kaczynski

Kelly Kaczynski

Eric Fischl

Eric Fischl

Paul Wackers, still life

Paul Wackers, still life

Heimo Zobernig

Heimo Zobernig

Peter Power

Peter Power

Nick Bastis, Vegetated Wall

Nick Bastis, Vegetated Wall

oh i see, its kinda got an oliver elaisson thing going

Propeller Fund Announcement (edited version)

The Propeller Fund is an awesome project launched this year by Gallery 400, UIC, threewalls (with funding through the Andy Warhol Foundation) which has made good on its promise to distribute $50,000 is funds to fifteen independant, self-organized, and Chicago-based art projects. The full list of winners is here, but I’ve trimmed down some of the language in the list below for super-brief read of where that $50k is headed:

1) The Storefront ($2,000)
A venue designed to support local artists working on sustainable projects.

2) The Lady Dissident Chicago Travel Auxiliary ($2,000)
10 new Chicago neighborhood posters by Alana Bailey and Anne Elizabeth Moore.

3) Nicholas Bastis, David Fleishman, and Brandon Pass ($2,000)
A temporary replica of a Frank Gehry building built in a vacant lot in the West Side of Chicago.

4) Todd Diederich and Sara Fagala ($6,000)
A ballroom ball; with pictures of Todd’s documentary project, a photo shoot, and a fashion line.

5) InCUBATE ($2,000)
Pilot Studies, a project investigating ways to organize and support small creative projects.

6) ChicagoRICAN ($2,000)
A project by Jorge Felix that addresses the production of Puerto Rican artists in Chicago.

7) Dorchester Project ($6,000)
A collaborative initiated by Theaster Gates that encourages community development and access to knowledge.

8) The Suburban and N55 ($2,000)
A stolen cairn will be replaced by a new cairn.

9) Kirsten Leenaars and Lise Haller Baggesen ($2,000)
Mutualism, a project exploring how social networks can be used as a model for curating.

10) The Alliance of Pentaphilic Curators (Jason Dunda and Teena McClelland, representatives) ($6,000)
Five funerals for imaginary deaths.

11) Erik Peterson, Benjamin Liu, Koobmeej Lee, Gary Kupczak, and Laura Thompson ($2,000)
A video game like Guitar Hero, but with an ancient Hmong musical instrument; called Qeej Hero.

12) Laurie Jo Reynolds, Stephen F. Eisenman, and Jeanine Oleson ($2,000)
Two projects (photo series, calling cards) and a series of public presentations on sexual violence, sex offender policies, and harm reduction.

13) Ben Russell and exhibiting artists ($2,000)
Eight experimental film/video screenings, each related to one of the planets.

14) Yet to be named advisory group facilitated by Daniel Tucker ($6,000)
A project-based documentary catalog on Chicago’s art history.

15) Tamalli Space Charros Collective: Omar Ureña Ximénez, Tamatz Juanes, Irradiador, The Aztlán Cardinal, La Pocha Catalana, Luis Humberto Valadez, Saúl Aguirre, Armando Morales, and Luis Muñoz ($6,000)
A business bringing multimedia art and Mexican cuisine into Chicago.

You can meet the winners next week at the awards celebration on Thursday, October 28th at 6PM @ UIC’s Great Space, 400 S. Peoria Street, 5th floor.